The performance was spellbinding, a primal affair of shimmering silk and twirling motion. In 1908 Blocki created a perfume ode to the celebrated and mysterious Saharet. His choice of namesake was confirmed when Saharet left her Chicago millionaire/art critic husband after only a few days marriage due to his insistence that she stop dancing. Long before “Baby” this danseuse proved that ‘Nobody puts Saharet in the corner.’
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